Born in 1982 in Xichang, provence of Sichuan (China). Lives and works in Peking, China and London, England.
Ran Huang develops plastic work combining sculptures, drawings, painting, photography and installations. They present, with poetic simplicity, hijacked everyday objects, leaving the spectator the freedom to endow these enigmatic machines with usefulness. Ran Huang also proposes video work through which, more than the mechanical object, it is the place of man in society that is questioned (his short film The Administration of Glory was in line for an award at the 2014 Cannes Film Festival).
Ran Huang develops plastic work combining sculptures, drawings, painting, photography and installations. They present, with poetic simplicity, hijacked everyday objects, leaving the spectator the freedom to endow these enigmatic machines with usefulness. Ran Huang also proposes video work through which, more than the mechanical object, it is the place of man in society that is questioned (his short film The Administration of Glory was in line for an award at the 2014 Cannes Film Festival).